The exhibition embodies the concept of the Dark Forest to explore two seemingly opposing forces: magic and technology.

Within the framework of Dark Forest, artist Marta Galindo conceived a site-specific performance exploring the relationships between the fabulous, the subterranean, and animality, reimagining the space of the dark web.

Troglosoma encompasses the various geological, biological, and human strata that have existed—and will exist—within the Altamira territory.

The group exhibition Subplotters addresses the material and spatial qualities of that which cannot be seen or known through our traditional categories of knowledge.

Concreta 21 proposes a genealogy of the media, channels, and portals we have employed in fiction through the immaterial, mysterious, and malleable lens of fantasy.

Meandro Merodeo is a cycle of exhibitions and performances that proposes an experiential and fantastical approach to the exhibition space.

Starting from the sound of rain falling on gutters, Garabato en la glotis initiates a process that reflects on the idea of flow, on the origins of language and music, their writings, their bodies, their sounds, and their material conditions.

New Miasma Theory Chapter 3: Replica brings to a close the homonymous project that artist Ewa Poniatowska has been developing since 2020, taking as its starting point an interpretation of sound as the last refuge of miasma.

An approach to roleplay as an artistic strategy, inviting the audience to become a community of witches who must survive in a society marked by a devastating natural catastrophe.

An exploration of the cosmic from the roots, through the essays of Himali Singh Soin and Mawena Yehouessi, a conversation between Paco Chanivet and Rafal Zajko, and a story by Juliette Lizotte.

A fantastical approach to the exhibition space, exploring speculative fiction as an artistic strategy.