With a particular focus on installation and sound, Álvaro Chior highlights the tensions and conflicts between different material and linguistic processes—between the discursive and the fictional, the organic and the overdesigned, the gestural and the automated.
Starting from the sound of rain falling on gutters, Garabato en la glotis unfolds as a process reflecting on the idea of flow, on the origins of language and music, their writings, their bodies, their sounds, and their material conditions.
Garabato en la glotis was awarded one of VEGAP’s Creation Grants.
Graphic design: Pablo Bonelli.
Documentation: Goro Studio and Saleth Carrión.
With a particular focus on installation and sound, Álvaro Chior highlights the tensions and conflicts between different material and linguistic processes—between the discursive and the fictional, the organic and the overdesigned, the gestural and the automated.
Starting from the sound of rain falling on gutters, Garabato en la glotis unfolds as a process reflecting on the idea of flow, on the origins of language and music, their writings, their bodies, their sounds, and their material conditions.
Garabato en la glotis was awarded one of VEGAP’s Creation Grants.
Graphic design: Pablo Bonelli.
Documentation: Goro Studio and Saleth Carrión.
